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9 Reference List: How To Blend Colored Pencils On Black Paper | UART Tip #25: Blending and Smoothing Colored Pencils with a Stencil Brush by Denise Howard
- Remember to draw on a smooth surface. A paper’s texture greatly affects the layering of a color — the more textured, the harder it is to fill in the paper’s tooth and blend the colors. Many artists prefer Strathmore paper or Stonehenge paper - Source: Internet
- Unlike graphite or charcoal, colored pencils can’t be blended with paper stumps and tortillions. But there are several other tools and techniques that can achieve the same blending effects. In this post, we’ll go over some of the best tools and tips for easily blending with colored pencils - Source: Internet
- Let me show you how that works. My supplies are a 9” x 12” sheet of UART 600 paper, a set of oil-based colored pencils, poster putty, a cheap stencil brush, and an electric eraser. I use oil-based pencils when working on UART because they have a drier consistency, which creates a powdery residue that is just what I need for this technique. - Source: Internet
- Burnishing is a blending technique of layering colored pencils with heavy pressure. It fuses and saturates colors while smoothing out the surface. The blending method rids the surface of any texture left in the drawing. In other words, burnishing allows the artist to polish the surface to its maximum smoothness so that it’s evenly filled with color, reducing deep saturated tones. - Source: Internet
- Colored pencil blending was revolutionized by the Italian-American artist-inventor Ester Roi, who invented the Icarus Art Board. Basically, it’s a controlled heat plate that allows artists to work in colored pencil much faster by seamlessly blending the pigment while drawing. The boards, which come in three sizes, cost a pretty penny, but you’ll make for it in saved time and effort. - Source: Internet
- For the best results, dip an inexpensive synthetic brush into the solvent and brush it over the shaded area. It takes some practice to use just the right amount. As a rule, use a little rather than a lot, because the solvent might dilute more pigment than you planned. Have a paper towel handy to blot extra solvent from your brush. - Source: Internet
- There was an initial blotchiness and roughness that I smoothed out by applying more pencil pigment and more brush strokes. I resisted the urge to press and scrub with the brush, because that would’ve pulled pigment back out of the paper tooth and defeated my effort to make the blend smooth. I wasn’t concerned with perfect smoothness in the clouds, because this was only the underpainting. - Source: Internet
- Even at only 9” x 12”, I know it would take me 30-40 hours over a couple of weeks to complete it the traditional way, gradually building up the darkest areas, minimizing speckles of paper showing through, and creating smooth transitions of color. I think this is why many colored pencil artists shy away from drawing large expanses of sky. But using UART paper, I can complete it in only a few hours! - Source: Internet
- Great solvents to use for colored pencil blending are Gamblin Gamsol Odorless Mineral Spirits and Weber Turpenoid Natural. It’s best to use solvents in a well-ventilated area to limit your exposure to the chemicals (and, sometimes, the odor). Pour the liquid in a small, resealable glass container so that it’s easy to use and clean. - Source: Internet
Video | How To Blend Colored Pencils On Black Paper
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- Uart Tip #25: Blending And Smoothing Colored Pencils With A Stencil Brush By Denise Howard
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